You can also click and drag these keyframes around to adjust the exact position. This allows you to create volume adjustments that are either hard cuts, or softer fades, and it’s all very visual. You will see the volume line adjusting between them, showing audio fading out or in accordingly. Create a second keyframe, and drag one of them around. Make sure you’re on the audio line, and that the arrows symbol appears. Select the audio layer and alt-click on the point where you’d like to create a keyframe.
You can actually create audio keyframes inside the audio layer. If you need to adjust the volume or a specific portion of a clip, you don’t need to cut it down further. You can click and drag up and down to adjust the volume of that clip, and you’ll see the audio waveform moving. When you hover over an audio clip, you’ll see a symbol of an up and down arrow. However, you can also adjust the audio by clip. In general, try to keep voices out of the red range, or you might experience clipping audio. You can use the sliders here to adjust the volume of entire audio tracks. To have better control over audio volumes, add the Mixer window to your workspace. For more advanced audio editing, you might want to use the Fairlight tab. When it comes to audio, you can do basic audio adjustments in the edit tab. Now that you have your main footage and audio dealt with, it’s time to spice it up. Just make sure to not drag a clip over another clip, because when you place it there it will replace that footage entirely. You can drag footage onto any track of the timeline at any time. Do this to add b-roll, music, or any other additional assets. If you want to add multiple layers of audio or video, just drag the new layers onto the timeline, and put them on a new layer. Press the backspace key to delete it and leave the space, or press the delete key to perform a ripple delete, where the rest of the timeline will be moved to fill in the new empty space. To return to the selection tool, press A or click it on the toolbar. Once you have a clip cut out, you can click on it and delete it. Otherwise, use the blade tool by pressing B on your keyboard or clicking the button on the toolbar. If you want to delete everything in a clip before that cut point, move your cursor to one end of the clip until the cursor symbol changes, then just drag it to the point you want to cut from. Move your playhead to the desired cut point by dragging it, or playing your timeline with the play button or spacebar. Cutting works the same in Resolve as it does in many other programs.
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The first thing you’ll want to learn how to do with your footage is to cut it. You can really customize your workspace to your ideal working environment. This includes the way that clip thumbnails are displayed, how audio waveforms are displayed, whether those are displayed at all, and how tall audio and video tracks are. To customize your timeline, you can click on the Timeline View Options button and change the way certain aspects of the timeline are viewed. In Cut mode, the upper timeline shows the duration of the entire project, and the lower timeline shows a zoomed-in portion of the timeline.īut we’re going to do our editing in Edit mode.
One thing that sets Resolve apart is the timeline. To add something to the timeline, drag it into the timeline on the bottom of the screen. To view a clip larger, double click on it and you can watch it back. This is where you can drag in media, or click the Import button to import from file explorer. In the upper left corner, you’ll see the Media Pool. It should auto-open to the Cut page, but you can switch to the Edit page at any time. When you open Resolve, click on New Project. The cut page is slimmed down for quick edits that don’t require much advanced production, whereas the edit page offers a wider variety of features. DaVinci Resolve has two editing interfaces, the cut page and the edit page.
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